Awaken

And so, dear reader, our journey through my top 8 songs (as per the Desert Island Disc format) comes to a close, with 15 minutes and 31 seconds of prog rock joy courtesy of Yes. You can listen to the song here.


I've blogged previously about my thoughts on both the soap opera that is the regular changes in the Yes line-up here and what I think of their last album here.

In the same way that much of my affection for 1970's music was acquired, by listening to albums over and over again at a friends house, I first remember listening to Yes following my friend Nigel having a Damascus Road type conversion to their music. This was after "The Old Grey Whistle Test" (a British rock show) broadcast a 1975 concert. The gig was live at QPR's football stadium and Nigel went straight out and bought "Yessongs" the band's triple live album from a previous tour and played it to us at every opportunity. As it was six sides of music, there was always a side to listen to, that we hadn't heard for a couple of days!

Awaken comes from the band's 1977 album "Going for the one" (GFTO), which was the band's first new release since I became a "fan" and it was issued on 7/7/77 which was just before I started work! This meant that I had money and could actually buy the album some weeks later rather tape someone else's. In fact I could also go and buy the two 12" singles released at the same time, which still have pride of place in my vinyl collection.

GTFO was very much a re-launch for Yes, as it marked the return to the line-up of keyboard player, Rick Wakeman, who had found the excesses of Tales of Topographic Oceans, too much. but when he heard the working demo's for this album, returned reinvigorated! It was also the first album for five plus years not produced by Eddie Offord (the band produced it themselves) and the album cover was by design company Hipnosis (best known for their work with Pink Floyd), not long time album artist, Roger Dean. It was also recorded in Montreux, at Mountain Studios, which Queen would later use to record among other songs, Under Pressure, with local resident David Bowie!

GFTO is a fairly short (39 minutes) five track album, but in my view, it is the high point in the Yes canon.  I will never tire of listening to it and Awaken as the last track brings the album to a stunning climax.

If someone asked me to play them a song that for me defined "prog rock", I would be hard pressed to play them a better example than Awaken. For a start is effectively two pieces of music, moulded together with an introductory and end section that bookend the piece superbly. The song starts with Wakeman on the piano showing off and then leads into Anderson singing about "high vibrations" over ethereal keyboards and guitar. This then leads to a guitar track that starts the the first half of the song which is a rock workout with Steve Howe's guitar work showing what a great player he is. Over the top Jon Anderson sings about "the workings of man" and bass and drums thunder around with a church organ in the mix as well!

It's the second half of the song, however, that takes it to epic proportions. In the mix, Yes add, timbrels and harp, with the church organ now quietly over the top. This church organ part builds as Rick Wakeman puts the organ at Eglise des Planches, Montreux through it's paces. Added to this then comes Howe with some beautifully fluid guitar soloing. The rest of band join in, with again some great soloing from Howe and Anderson's voice adds his falsetto/angelic magic (including the lyric from which this blog gets its name!) and then the church choir (yes really) put a choral harmony over the top to which Wakeman now playing thunderous organ takes the whole experience to a truly spiritual level. Howe then solos for his country and the songs just builds and builds until THE chord change at 12' 48" just makes you punch the air. The track finishes with the choir and Anderson reprising the beginning of the song in a gentle angelic way that finishes the track and album off perfectly.

Music like this just makes the world a wonderful place.

Changes

I have just, for the first time. been back to a recent blog and updated it.

I read a couple of articles yesterday about the new Yes album and discovered that actually three of the tracks were written back 1980, not just one, so my blog was incorrect. It is not now!

Fly from here Part II - we can fly.

Sorry but this is not a D I D post, but those who know me, will know, that I'm a big Yes fan and the new album came out yesterday, so here's my thoughts. (actually if you don't know me I'm still a big Yes fan!)

I set out here my thoughts on the soap opera that is, and has been, Yes. The album has been available as a pre-order on iTunes for a couple of weeks and having listened to the previews, it didn't sound that great. I also found a stream of the track that heads this post and that sounded better, but I was familiar with it as it was the song that the Drama period Yes played live but never recorded and it appears on "The Word is Live" boxed set.

So here's the thing that I suspected, that was proven last night, be very careful with iTunes previews, they can distort an album. Last night I listened to the album on Spotify (here) and frankly I'm impressed! In short, it rocks, in both meanings of that phrase. So much so that I bought it and have played it twice since!

The trio of Steve Howe (guitar) Chris Squire (bass) and Alan White (drums) always were a tight rock unit at the heart of the band and that shows on this album. Keyboards from Geoff Downes (best known for his work with Howe in Asia) add to this and Benoit David's vocals are close enough to Jon Anderson's to keep the "Yes" sound without sounding like an impersonation.

The main piece on the album is a five part suite "Fly from Here" which is based on the "we can fly" segment but adds to it so that across the different parts various themes and melodies appear and reappear but each part remains it's own. The other tracks are better than I thought they would be (i.e. not filler), particularly "Into the storm" and "Life on a film set". There's also the obligatory Steve Howe acoustic guitar workout, a Chris Squire song and a potential single in "Hour of Need"

Steve Howe's son Dylan (an accomplished jazz drummer in his own right) tweeted recently, that having listened to an advance copy, that he though that it was a bit like "Drama" part 2, referring back to the Yes album from 1980. Indeed it is. Firstly it is produced by Trevor Horn, who sang on Drama and 4/5th's of the band that performed on Drama appear on this album too . Furthermore three of the tracks, were written by Trevor Horn & Geoff  Downes as demo's for their next Buggles release, around the time of Drama's recording. They are available as a bonus tracks on the recent reissue of the subsequent "Adventures in Modern Recording" album. If CD's had been around at that time, "Fly from here" might have made the "Drama album, but the restrictions of  vinyl meant that there simply wasn't space for it. They did however add it to the live set for the Drama tour and a live version of "Fly from here part 1" appears on the 2007 live boxed set "The Word is live"

Now I might just have get a ticket to see them in Brighton in November.